Groove Percussion

Indian Slap Bass a new genre Funk

Slap Bass-The evolution

Many changes occurred in making and playing the instrument Bass Guitar during the last century. Slapping the bass is considered to have begun in the 1920s on the Double Bass. On double bass it refers to the technique which is a more vigorous version of pizzicato, where the strings are plucked so hard that when released it bounces off the finger board, making a distinctive sound. A percussive sound is also made by smacking the strings with all four fingers of the right han

On electric bass guitar

"Slap bass" is referred to percussive playing technique in electric bass as well, that the style sounds and looks percussive rather than the usual fingering of notes. Slap bass is more technically called "slaps" and "pops". In the slaps, the bassist uses the bone of the thumb joint to strike the lower strings near the base of the guitar's neck. In the pops, the bassist uses the index and middle fingers of the plucking hand to snap the higher-pitched strings away from the body of the bass, causing them to bounce off the fret board; this produces a prominent buzzing tone with a sharp attack and more high-frequency vibrations than in plucked bass.

Innovations

Double Bass player, Bill Johnson is considered by many as the father of slap bass. The methods developed by Larry Graham followed by Louis Johnson are nowadays practiced by a majority of electric bass players around the globe. Some bassists use fingers instead of the thumb to do slapping. Abraham Laboriel, Sr. developed a technique of using the thumb to pop the strings while his other four fingers slap the strings. Bassist Victor Wooten uses a double thumb technique, where he slaps the string when the thumb goes downward and pops when it goes upward. This gives him extra speed to play to sound it like a drum roll on the bass guitar. Tony Levin created a similar drumming sound by using a hard surface on the fingers to strike the strings which was named Funk Fingers. Funk Fingers are kind of small drum sticks strapped to fingers. To get a metal slap tone, bassists usually use their nails to hit the strings. Doug Wimbish also plays slaps with his fingers other than thumb.

Some of the double and electric bass players who are notable in slapping the bass are Bill Johnson, Pops Foster, Wellman Braud, Chester Zardis. Milt Hinton, Kim Nekroman, Scott Owen, Alcide Pavageau, Lee Rocker, Amy LaVere, Bootsy Collins, Stanley Clarke, Jonas Hellborg, Marcus Miller, Stuart Hamn, Les Claypool, Mark King, Kai Eckhardt, Mike Gordon, Flea, Fieldy, Brian Bromberg, Gustavo Dal Farra and the list goes on and on. A close watch of these bass players reveals that each and everyone has very distinctive styles. Similarly, every musician whether he is professional or amateur has his distinctive methods and techniques hidden inside. What matters is to develop it with proper training and self motivation.

Applications

Since the acceptance of electric bass guitar in Jazz Music and subsequent revised applications of the technique since 1940's, slap bass has been increasingly attracting music lovers all over the World. When funk music became more popular, slap bass has been subjected to various experimental playing techniques. Slapping is applied in most of the music genres since the 1960's especially in funk, disco, jazz, pop and world music fusion

During the changes in the music of the West, fusion music was silently having its own innovations. One of the inevitable instruments of India for fusion music has been Tabla. Bass players succeeded in blending the slap bass with Indian percussion instruments due to the similarity in the slap tones and sound of tabla. Jonas Hellborg and Kai Eckhardt adapted a different approach to the slap to blend it with Indian Classical music.

Tabla style slap technique.

The Indian Tabla style technique was innovated by Bass Player, Jayen Varma. Even from the beginning of his bass playing career in 1986 the tabla/mridangam style technique was more convenient for him than the usual slap method. May be because he had some training in the Indian percussion instrument mridangam, application of this technique on the strings was easy for him. In the early 1990s, when he could not get a slap tone due to inefficient pick ups and guitars available at that time, he was forced to use hard plastic pipe pieces on the fore finger and middle finger to get the tone while playing like a tabla. That was a success as far as tones were concerned, but the playability was comparatively poor. In those days the music genres he used to play in bands did not require slap bass, so he had to keep that idea aside after experimenting for few years. In the early days he did not have enough access to the world outside India, but in one of the videos of the great Abraham Laboriel he heard him say that what is important is the sound that is produced and not necessarily how the bass is played.  Those words lit the fire inside him; therefore he decided to move ahead with this unconventional style.  Later on he was encouraged by the words of some of the greatest names in the bass world; Bootsy Collins, Jeff Berlin, Victor Wooten, Stuvart Hamn, James LoMenzo, Marcus Miller, Michael Henderson, Regi Wooten, David Pastorius, Kai Eckhardt, Phil Powell and many known and unknown bass players.

How to practice

"Indian Slap Bass" is playing the Bass Guitar just like the Indian classical percussion instruments Tabla, Mridangam or Kanjira.  This is a very simple method because strings are hit like two drum sticks: The index finger acts like one stick and the middle and ring fingers held close together form the other stick. The exercise to begin is hitting the last string with fore finger (F) first and then with the other two fingers, middle and ring (MR). To be precise, the right hand fingering is F-MR-F-MR | F-MR-F-MR for 1-2-3-4 | 1-2-3-4.  Later the playing is reversed to MR-F-MR-F | MR-F-MR-F.  Subsequently it is practiced on other strings.  The same exercise is also practiced on more than one string by slapping alternately.  The player can choose his/her convenient position of left hand fingers on the fretboard. In the beginning it is always better to hold the strings half muted with left hand fingers. The sound created when the string is hit with MR fingers is slightly different from the sound created by F finger.  The strings which are not aimed to hit may also ring in the beginning.  But when it is practiced for few months, the hitting will be controlled.  It is therefore better to begin this on a four string bass, because the gap between the strings is higher than other bass guitars having more strings.  Many different methods/exercises can be worked out to get playability and to avoid the problems caused by crossing the strings, fingers and notes.  Any method is difficult in the beginning and the result is also not apparent immediately. But those who practice persistently will succeed in the application of any difficult technique.  It does not matter how an instrument is played, it only matters how it sounds.

Jayen Varma's mission

Indian Slap Bass blends perfectly not only with funk, jazz or rock, but with many other genres including heavy metal.  Since the right hand fingers can distinctly produce clear 16th notes on the same string, it goes well with metal music when the high frequencies are cut with equalizers. It can also be blended beautifully with Indian classical music.  He is sure that the next generation of musicians will find the potential in its application in future music to come.

He has been experimenting and promoting this method single handedly for years. He is happy that it has many fans across the World. Many young bassists are learning it. He is sure that if someone practices this technique for one year, he will be able to do it well.

His intention is to popularize ‘Indian Slap Bass' across the World. There are so many good bass players in India. But the majority of people still have to become familiar with the instrument Bass Guitar, which makes his task challenging. So his task also includes popularization of bass guitar in India among the masses.

Article courtesy http://www.jayenvarma.net/?page_id=8

Video Link http://www.youtube.com/watch?v=r_hAFabslho

 

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Bass Guitar School.

Groove Percussion

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